1
00:00:01,120 --> 00:00:03,790
[man]If you were in contact
with a positive case of…
2
00:00:03,920 --> 00:00:05,710
[man 2]Mostly cloudy sky…
3
00:00:05,920 --> 00:00:08,750
- [man 3] Final stretch, 450 meters to…
- [cheer]
4
00:00:09,550 --> 00:00:12,090
[woman] They are some shit streams!
Some sons of bitches...
5
00:00:12,170 --> 00:00:14,680
[Andino] I never thought it would happen
this news live.
6
00:00:14,760 --> 00:00:15,930
[woman 2]So young.
7
00:00:16,010 --> 00:00:17,640
[Andino]I never thought I would
to give this news...
8
00:00:18,010 --> 00:00:19,600
- [chimes]
- [Andino] Eh... [snorts]
9
00:00:20,640 --> 00:00:22,180
Just confirmed by Luis.
10
00:00:22,480 --> 00:00:24,770
I continue reviewing some portals.
11
00:00:25,810 --> 00:00:26,810
[phone rings]
12
00:00:26,900 --> 00:00:29,690
And the news says that indeed
Diego Armando Maradona died.
13
00:00:30,320 --> 00:00:32,030
- [muffled echo]
- [♪ sad music]
14
00:00:36,240 --> 00:00:38,780
Confirmed,
Diego Armando Maradona died.
15
00:00:38,990 --> 00:00:40,950
[Domi] Beyond what they threw themselves
hurdles at times
16
00:00:41,040 --> 00:00:43,830
- to enter the government house...
- [Andean] Domi. Domi… [clears throat]
17
00:00:43,910 --> 00:00:46,670
[Domi] …and to be able to say goodbye
to Diego Maradona.
18
00:00:46,750 --> 00:00:48,880
[journalist] At two in the afternoon,
a select group...
19
00:00:49,040 --> 00:00:51,340
he is entering to say goodbye
the remains of the number ten,
20
00:00:51,420 --> 00:00:52,420
the Argentine star.
21
00:00:52,630 --> 00:00:55,010
Also here, he entered
a few minutes ago, huh?
22
00:00:55,340 --> 00:00:58,680
Guillermo Coppola.
Former manager and friend of number ten.
23
00:01:00,510 --> 00:01:01,520
[doors close]
24
00:01:03,770 --> 00:01:04,770
[steps]
25
00:01:05,640 --> 00:01:08,310
[woman] …who pays tribute today
to the Argentine star
26
00:01:08,480 --> 00:01:10,940
in the government house,
decreed three days of national mourning.
27
00:01:12,320 --> 00:01:13,490
[♪ music intensifies]
28
00:01:18,910 --> 00:01:21,410
The captain left us.
Yes. What is it going to be, Guille?
29
00:01:22,620 --> 00:01:23,620
What a disaster.
30
00:01:26,460 --> 00:01:28,420
[woman] The public farewell
to Maradona
31
00:01:28,500 --> 00:01:30,090
- passed without incident.
- [bustle]
32
00:01:33,630 --> 00:01:34,670
[gasps]
33
00:01:35,010 --> 00:01:37,840
[journalist] The pushing began
and as you see, the police...
34
00:01:42,310 --> 00:01:43,390
[end of music]
35
00:01:47,390 --> 00:01:52,820
- [indistinct background chants]
- [sniffles]
36
00:01:58,990 --> 00:02:00,070
[sobs, cries]
37
00:02:11,790 --> 00:02:12,880
[♪ rock music]
38
00:02:25,390 --> 00:02:28,190
[Beto] We are on the air.
With these, what can I say?
39
00:02:28,270 --> 00:02:30,100
Look, I tell you something.
40
00:02:30,190 --> 00:02:33,360
I come across them
in a dealership to these guys
41
00:02:33,690 --> 00:02:36,860
and I don't know if I'm crossing the path,
but not because of the look, eh?
42
00:02:37,320 --> 00:02:40,320
But for the anecdotes,
for the stories that each one has.
43
00:02:40,860 --> 00:02:43,870
Eh… discuss… [indistinct]
Well, take the opportunity to toast.
44
00:02:43,950 --> 00:02:45,740
They tell me that we have to give
a little advice
45
00:02:45,830 --> 00:02:48,790
Crocanti peanuts are ideal
to share with friends
46
00:02:48,870 --> 00:02:49,920
and with family.
47
00:02:50,120 --> 00:02:52,460
It is pleasant to the senses
and very tempting.
48
00:02:53,250 --> 00:02:54,960
There are varieties. You have everything.
49
00:02:55,130 --> 00:02:57,670
You have toasted, sugary
and with chocolate.
50
00:02:57,880 --> 00:03:00,800
I chose the Crocanti peanuts
that you like the most.
51
00:03:01,300 --> 00:03:03,260
- [woman] Cut, guys! We're back.
- [sighs]
52
00:03:03,350 --> 00:03:04,850
[Beto] Ah, well, it seemed to me…
53
00:03:04,930 --> 00:03:05,930
- [Coppola] Okay? All good?
- Do you see it well?
54
00:03:06,010 --> 00:03:07,020
- Are you OK?
- Yes.
55
00:03:07,100 --> 00:03:08,480
- Hello, Guille. [kisses]
- How are you doing?
56
00:03:08,850 --> 00:03:10,100
[indistinct dialogue]
57
00:03:10,310 --> 00:03:12,810
Listen to me something, Riquito.
What is this Crocantini?
58
00:03:12,980 --> 00:03:15,440
What…what is that?
Are those the sponsors we have?
59
00:03:15,730 --> 00:03:18,610
We had a vodka,
We had a champagne.
60
00:03:18,690 --> 00:03:20,610
You're getting confused, it seems to me.
61
00:03:20,860 --> 00:03:22,450
Maní Crocanti is not a sponsor.
62
00:03:22,530 --> 00:03:25,410
It's a lifesaver in the middle
from this ocean of shit
63
00:03:25,620 --> 00:03:28,540
in which we are swimming,
and it is also not enough.
64
00:03:29,120 --> 00:03:30,410
We sink the same.
65
00:03:30,580 --> 00:03:32,580
But don't tell me like that.
What's happening?
66
00:03:32,670 --> 00:03:34,210
That we did not measure well today.
67
00:03:34,380 --> 00:03:36,460
[laughs] Today?
Guille, we never measure well.
68
00:03:36,800 --> 00:03:38,800
By our standards,
I'm telling you.
69
00:03:38,880 --> 00:03:40,510
We lose with infomercials
of hose.
70
00:03:40,590 --> 00:03:42,930
[announcer] Call now,
he wears a cap of…
71
00:03:43,010 --> 00:03:45,680
We are spending a fortune
in a structure
72
00:03:45,760 --> 00:03:49,270
what is it for you
talk nonsense, drink champagne,
73
00:03:49,600 --> 00:03:52,350
tell the same anecdotes
that they have already told a thousand times.
74
00:03:52,690 --> 00:03:55,360
[♪ quirky music]
75
00:03:59,570 --> 00:04:00,570
Nope!
76
00:04:00,650 --> 00:04:03,030
- The problem is a scheduling thing.
- No. Already...
77
00:04:03,450 --> 00:04:05,700
But who the hell is going to see us Saturday,
twelve at night?
78
00:04:05,780 --> 00:04:08,330
Twelve at night, people,
Our audience is having fun.
79
00:04:08,790 --> 00:04:09,870
No. You don't have an audience.
80
00:04:09,950 --> 00:04:11,750
No, don't say. Don't say.
81
00:04:11,830 --> 00:04:13,290
Things don't go any further, you know?
82
00:04:13,370 --> 00:04:15,920
If you want to continue doing
the program, lower your salary.
83
00:04:16,000 --> 00:04:17,000
All.
84
00:04:17,380 --> 00:04:20,460
[Beto] Blue Smurf? You have to take it out
the Crocanti, right?
85
00:04:23,430 --> 00:04:24,760
[indistinct dialogue]
86
00:04:25,140 --> 00:04:26,140
[oxygen hiss]
87
00:04:26,470 --> 00:04:27,470
Little hands.
88
00:04:27,760 --> 00:04:29,310
Did you make the doorknobs?
89
00:04:29,680 --> 00:04:30,810
[camera clicks]
90
00:04:33,270 --> 00:04:35,730
Ready, set, set. Hi love.
91
00:04:35,940 --> 00:04:37,360
- Hello, daddy.
- Hello my love.
92
00:04:37,480 --> 00:04:39,860
- No, no, no, no, no. Wash your hands.
- [indistinct]
93
00:04:39,940 --> 00:04:41,650
Go ahead and wash your hands.
94
00:04:41,740 --> 00:04:43,110
- What an anvil, da.
- [through mask] No, how?
95
00:04:43,200 --> 00:04:44,650
Go disinfect yourself, daughter.
96
00:04:45,160 --> 00:04:46,160
[via mask] What an anvil?
97
00:04:46,240 --> 00:04:47,910
But the fucking mother,
where do you get those words from?
98
00:04:48,030 --> 00:04:50,700
Is it you, Mari, who teaches him
those words to the girl?
99
00:04:50,790 --> 00:04:52,700
No, it's you who are annoying.
100
00:04:52,950 --> 00:04:54,660
You always have the last word, Mari.
101
00:04:54,920 --> 00:04:57,170
Don't be bad,
but they called from school,
102
00:04:57,250 --> 00:04:59,500
that we have to pay the fees
that we owe.
103
00:05:00,000 --> 00:05:02,460
Well, they spent a lot of time teaching
by Zoom,
104
00:05:02,550 --> 00:05:04,880
charging us the entire fee,
They didn't deduct a single sope.
105
00:05:04,970 --> 00:05:07,010
We bank them,
Now let them bank.
106
00:05:07,550 --> 00:05:08,550
We can't, we can't.
I said we can't.
107
00:05:08,640 --> 00:05:10,100
- Cori, tell him no...
- How to say we can't?
108
00:05:10,180 --> 00:05:12,100
Tell them to bank us
two or three months.
109
00:05:12,180 --> 00:05:13,640
But they already warned by email
that they are not going to let in
110
00:05:13,730 --> 00:05:15,140
to debtor children. What do you want?
111
00:05:15,230 --> 00:05:16,730
Let him fall into public school
our daughter?
112
00:05:16,850 --> 00:05:18,900
Let him share the desk
with Mari's grandchildren?
113
00:05:19,150 --> 00:05:20,690
Do you want to go that far?
114
00:05:20,820 --> 00:05:22,860
[whispers] Cori, stop, stop.
Who listens to everything Mari.
115
00:05:23,190 --> 00:05:24,570
[Cori] What are we going to do?
116
00:05:24,780 --> 00:05:27,360
I think we are going to have
have to resort to the emergency joint.
117
00:05:28,740 --> 00:05:29,830
[♪ playful music]
118
00:05:31,830 --> 00:05:33,120
[Cori] Here you say?
119
00:05:33,290 --> 00:05:35,500
- [Coppola] Mari!
- Here, here, here! Here!
120
00:05:35,910 --> 00:05:36,920
[moans]
121
00:05:38,920 --> 00:05:41,170
- No, dude.
- How long has it been since you cleaned this bathroom?
122
00:05:41,290 --> 00:05:43,710
Here it is, look! Here it is! Here it is!
123
00:05:44,380 --> 00:05:47,260
Mari! Year ninety-two.
Susana's program.
124
00:05:47,840 --> 00:05:50,050
Where was that money?
Do you remember what I tell you?
125
00:05:50,140 --> 00:05:51,300
Up there.
126
00:05:51,390 --> 00:05:55,020
No, it's going to make me fall.
Here it is! It's a lot!
127
00:05:55,600 --> 00:05:56,940
[Coppola] Where else, Marí?
128
00:05:59,350 --> 00:06:00,690
[Cori] Wait a little, Mari.
129
00:06:00,770 --> 00:06:03,360
[Coppola] In the trunks
Didn't you put it, Mari? [groan]
130
00:06:04,400 --> 00:06:06,740
- Are you okay, my love? Are you OK?
- [growls]
131
00:06:06,990 --> 00:06:08,450
- No, no, no.
- You say that...
132
00:06:08,610 --> 00:06:10,030
Well, stretch. Stretch a little.
133
00:06:10,160 --> 00:06:12,280
[Coppola] Mari, don't touch me.
Mari, please.
134
00:06:12,410 --> 00:06:13,620
[Cori] Here it is. Come on.
135
00:06:13,700 --> 00:06:15,160
Very good. Come on, what did you find?
136
00:06:15,250 --> 00:06:16,710
[Coppola] Mari!
137
00:06:16,790 --> 00:06:17,790
[Mari] What happened?
138
00:06:17,870 --> 00:06:19,830
Come here, please.
Call Finochietto.
139
00:06:22,460 --> 00:06:24,050
We can burst the vase.
140
00:06:24,130 --> 00:06:26,010
I think I can get 25 lucas out of it.
141
00:06:26,090 --> 00:06:28,340
[exclaims] Well, if not, the other
It's what we talk about.
142
00:06:28,470 --> 00:06:29,630
[Coppola] What?
143
00:06:30,010 --> 00:06:31,090
[♪ suspense music]
144
00:06:32,220 --> 00:06:34,760
No, Cori, Cori, I already told you not to do that.
145
00:06:34,850 --> 00:06:37,560
But yes, love, we sell this apartment
which is giant.
146
00:06:37,640 --> 00:06:40,060
We moved a smaller one
until everything falls into place.
147
00:06:40,350 --> 00:06:43,480
No, I shot myself first.
No. Wait, wait.
148
00:06:43,860 --> 00:06:45,690
Calm down, hey, look.
149
00:06:46,230 --> 00:06:48,740
Let's not despair,
we burst the vase...
150
00:06:50,490 --> 00:06:51,490
[sighs]
151
00:06:51,780 --> 00:06:55,040
Oh, a girl from a production company called you.
152
00:06:55,120 --> 00:06:57,200
that there are two types
who want to get together with you.
153
00:06:57,910 --> 00:06:59,250
Producer who?
154
00:06:59,330 --> 00:07:01,880
I don't know, I think he told me something
by Papa Film.
155
00:07:02,170 --> 00:07:03,340
Did you want to make a note?
156
00:07:03,710 --> 00:07:05,420
I don't know. Mari!
157
00:07:05,920 --> 00:07:07,630
- [boat horn]
- [seagulls squawk]
158
00:07:09,170 --> 00:07:10,260
[♪ lively music]
159
00:07:14,970 --> 00:07:16,100
[Pol] What are you doing, dear?
160
00:07:17,390 --> 00:07:19,980
- [claps]
- [Coppola] It fits! [kisses] A pleasure.
161
00:07:20,060 --> 00:07:21,440
[Pol] Pol is me. Pol.
162
00:07:21,900 --> 00:07:24,650
Guys, I do more
I'm twenty years old and I'm not Diego's partner,
163
00:07:24,730 --> 00:07:25,730
that he was not a partner.
164
00:07:25,940 --> 00:07:28,400
Yes. I mean… [sighs]
165
00:07:29,940 --> 00:07:34,370
Whatever you want to do with it,
administrative quilombo.
166
00:07:34,490 --> 00:07:35,490
Important.
167
00:07:35,780 --> 00:07:37,160
Yes, no, capable… [laughs]
168
00:07:37,240 --> 00:07:39,580
Of course, we can
we do not express ourselves correctly,
169
00:07:39,660 --> 00:07:41,710
Guillermo, but we don't want to
do something with Maradona,
170
00:07:41,790 --> 00:07:43,080
We want to do something with you.
171
00:07:43,170 --> 00:07:44,920
And what format are you thinking about?
172
00:07:45,460 --> 00:07:47,210
Do you know why I tell you this? I did TV.
173
00:07:47,380 --> 00:07:48,670
- [It fits] Sure.
- I did a lot of TV.
174
00:07:48,880 --> 00:07:51,050
Good Boys,
C5N. I, Guillermo.
175
00:07:51,170 --> 00:07:52,630
Phew. Very good.
176
00:07:52,720 --> 00:07:54,300
The representative of God, Canal Infinito.
177
00:07:54,390 --> 00:07:58,470
Hey, documentary, seven episodes.
I mean, I already did TV.
178
00:07:58,720 --> 00:07:59,930
- Yes, yes.
- Yes.
179
00:08:00,180 --> 00:08:01,640
Maybe we
We are not explaining ourselves well.
180
00:08:02,060 --> 00:08:06,060
We are not TV producers.
We are fiction producers.
181
00:08:07,320 --> 00:08:08,400
And what does that mean?
182
00:08:08,730 --> 00:08:09,730
- [Cabe] Look, Guillermo.
- [cell vibe]
183
00:08:10,070 --> 00:08:11,190
- Wait a little.
- Yes.
184
00:08:11,650 --> 00:08:15,120
Wait. Marquitos, pay attention,
If it is one thousand two hundred,
185
00:08:15,240 --> 00:08:16,780
go ahead.
186
00:08:17,580 --> 00:08:19,620
Sorry, guys. Well then, let's see.
187
00:08:19,870 --> 00:08:21,540
We want to do a series
about your life, Guille.
188
00:08:21,660 --> 00:08:22,830
There it is.
189
00:08:22,910 --> 00:08:25,750
In a big way. Well done.
What is happening?
190
00:08:25,920 --> 00:08:27,500
You are the best accountant
of anecdotes from the world.
191
00:08:28,170 --> 00:08:29,170
The best.
192
00:08:29,250 --> 00:08:30,260
We passed by a bookstore
193
00:08:30,340 --> 00:08:31,840
and what do we find
on the balance table, everything piled up?
194
00:08:31,970 --> 00:08:33,170
This wonder.
195
00:08:33,760 --> 00:08:35,180
It doesn't even have a hardcover. Look.
196
00:08:35,590 --> 00:08:38,010
- My book.
- We open it and there we can't believe it.
197
00:08:38,220 --> 00:08:39,680
It's all in here, Guille.
198
00:08:39,760 --> 00:08:44,810
Drama, comedy, romance,
biography, police you have.
199
00:08:45,020 --> 00:08:48,400
[laughs] What happens if we take all that
to the screen
200
00:08:49,400 --> 00:08:54,570
and that the viewer can see, feel,
live those anecdotes?
201
00:08:55,950 --> 00:08:57,740
Ah, yes that's right, total availability.
202
00:08:57,820 --> 00:08:59,030
- [cell vibe]
- [Pol] Great.
203
00:08:59,450 --> 00:09:01,790
Wait, wait a little bit.
Wait. Nachito.
204
00:09:02,410 --> 00:09:06,000
Listen to me, I'm here with, eh,
with Cabe and with Polito.
205
00:09:06,210 --> 00:09:08,630
Look, I just met them, I'm telling you,
These are catchy.
206
00:09:08,960 --> 00:09:10,630
Come here,
I'll give you the location.
207
00:09:10,840 --> 00:09:13,470
The boys want to do
a documentary about my life.
208
00:09:13,550 --> 00:09:14,630
- No no.
- Fiction.
209
00:09:15,050 --> 00:09:17,970
A fictional documentary series
about me.
210
00:09:18,390 --> 00:09:20,010
Fiction. It is a fictional series.
211
00:09:20,350 --> 00:09:23,020
I'll explain to you later. I like it a lot.
Let's see.
212
00:09:23,560 --> 00:09:27,900
It would be an actor playing Guillermo.
213
00:09:27,980 --> 00:09:28,980
[Pol] Exactly.
214
00:09:29,310 --> 00:09:31,980
And then I would come in
and I tell the anecdote.
215
00:09:32,070 --> 00:09:33,990
No, no, no. William Coppola,
a character
216
00:09:34,070 --> 00:09:35,070
Exactly.
217
00:09:35,400 --> 00:09:36,860
- Which would be me.
- Exactly.
218
00:09:36,950 --> 00:09:38,820
Played by an actor. No?
219
00:09:38,990 --> 00:09:41,990
- Ah, it wouldn't be me.
- An actor playing you.
220
00:09:42,240 --> 00:09:44,700
Is the actor going to be gifted like Guillote?
221
00:09:45,160 --> 00:09:46,160
[cheers, laughter]
222
00:09:46,620 --> 00:09:47,710
We believe you, we believe you, Guille.
223
00:09:48,000 --> 00:09:49,500
- I like it, I like it.
- [Pol] That's good.
224
00:09:49,710 --> 00:09:51,460
Cache theme. How is the hand coming?
225
00:09:52,960 --> 00:09:54,550
- No, that's no problem.
- [Coppola] Yes?
226
00:09:54,630 --> 00:09:56,130
- We are going to agree, Guillermo.
- [Coppola] Are you sure?
227
00:09:56,220 --> 00:09:58,470
- Yes. Stay calm.
- Look where we are, Guille.
228
00:09:58,590 --> 00:09:59,590
- Alive.
- Alive.
229
00:09:59,680 --> 00:10:00,680
- The money, I tell you.
- Uh-huh.
230
00:10:00,970 --> 00:10:02,350
- Can we toast?
- Please.
231
00:10:02,560 --> 00:10:03,560
[clinking glasses]
232
00:10:03,810 --> 00:10:04,810
Thanks, Guille.
233
00:10:04,890 --> 00:10:07,060
[Coppola] Guillote is back!
234
00:10:07,690 --> 00:10:08,690
We're back!
235
00:10:09,020 --> 00:10:11,190
[♪ "Pendeviejo" plays
of the Authentic Decadents]
236
00:10:12,900 --> 00:10:14,610
Come on, Guillote!
237
00:10:21,160 --> 00:10:24,120
Cori, did you see the amount of money
What are they offering me?
238
00:10:24,200 --> 00:10:26,750
simply by giving them permission
to tell my life?
239
00:10:26,830 --> 00:10:29,790
Something that already
I tell it to everyone.
240
00:10:30,290 --> 00:10:31,380
Well, don't worry.
241
00:10:31,460 --> 00:10:34,550
What I'm telling you is
where was that Guillermo
242
00:10:34,960 --> 00:10:37,340
that a few years ago he told me
who wanted a life
243
00:10:37,420 --> 00:10:39,630
away from the hustle and bustle,
away from the media,
244
00:10:39,840 --> 00:10:42,220
the warrior's rest,
hang up the boots...
245
00:10:43,430 --> 00:10:44,720
- Fuck it!
- [scream]
246
00:10:45,140 --> 00:10:47,430
[Mari screams] Oh, oh. The…
Because it gets stuck.
247
00:10:48,310 --> 00:10:50,310
Oh, the reputed mother who...
248
00:10:50,600 --> 00:10:51,600
[Cori] Oh, no.
249
00:10:51,900 --> 00:10:54,360
- [coughs]
- Oh, it makes you sick to smoke.
250
00:10:54,820 --> 00:10:56,400
[whispering] Al Finochietto.
251
00:10:56,570 --> 00:11:00,410
The pandemic caught Guillermo
and like half the planet
252
00:11:00,490 --> 00:11:03,370
He was left without a handle.
The savings were blown.
253
00:11:03,620 --> 00:11:05,290
But it's okay, it's okay.
Did you know?
254
00:11:05,620 --> 00:11:09,250
Let's say no
to the only entrance of strong silver
255
00:11:09,330 --> 00:11:11,540
- which we have in a year. Already.
- No, don't say like that.
256
00:11:11,670 --> 00:11:13,380
Are they going to count your whole life?
257
00:11:13,670 --> 00:11:14,670
All?
258
00:11:15,250 --> 00:11:17,460
There are parts of your life
that are irreproducible.
259
00:11:18,010 --> 00:11:22,010
Eli is twelve years old, he thinks, he reasons,
Her colleagues also understand.
260
00:11:22,340 --> 00:11:25,470
What are they going to say at school?
What are your other daughters going to say?
261
00:11:25,760 --> 00:11:28,930
Are you sure
Do you want to open that Pandora's box?
262
00:11:29,980 --> 00:11:31,140
[♪ suspense music]
263
00:11:47,790 --> 00:11:49,410
- [applause]
- [Cabe] That's great, bravo.
264
00:11:49,540 --> 00:11:50,540
[Pol] Good, good.
265
00:11:50,620 --> 00:11:52,540
To clarify, just to clarify, this,
a little…
266
00:11:52,670 --> 00:11:54,830
No, I want it to be
a good milk series.
267
00:11:54,960 --> 00:11:56,380
A good milk series, right?
268
00:11:56,460 --> 00:11:57,460
We are with you.
269
00:11:57,750 --> 00:12:00,010
[coughs]
270
00:12:01,300 --> 00:12:02,470
Oh, sorry.
271
00:12:02,550 --> 00:12:04,800
Eh... I can ask you, eh...
272
00:12:05,010 --> 00:12:06,470
- Lula, wasn't it?
- [Lula] Yes.
273
00:12:06,550 --> 00:12:08,430
If it can, eh, open a little,
This is how we ventilate.
274
00:12:08,510 --> 00:12:10,390
- Because the doctors, you saw...
- We are all swabbed.
275
00:12:10,480 --> 00:12:12,730
- Yes, we are all swabbed.
- Well, the mask, that...
276
00:12:12,940 --> 00:12:14,520
because they say
that you have to ventilate the same.
277
00:12:14,600 --> 00:12:16,520
But it's okay, it's okay. Well. [inhales]
278
00:12:16,650 --> 00:12:17,940
Hey, let's go...
279
00:12:18,020 --> 00:12:21,490
The guy is a son of a bitch.
He's kind of a jerk too, see?
280
00:12:21,650 --> 00:12:24,490
What we have to deal with is
that the series is not so masculine.
281
00:12:24,990 --> 00:12:27,410
How does it not border on machismo?
all the time. Because if not...
282
00:12:27,530 --> 00:12:29,410
Yes, yes. If we show the character
as it is, they are going to cancel us.
283
00:12:29,490 --> 00:12:31,200
- Exact.
- You have to sweeten it a little.
284
00:12:31,290 --> 00:12:34,330
That's what I'm going for. Therefore, to put
an example, huh,
285
00:12:34,500 --> 00:12:36,460
The anecdote is about the German model…
286
00:12:36,830 --> 00:12:39,130
- Yes, Sofia.
- ...that he becomes obsessed, let's say, with her.
287
00:12:39,500 --> 00:12:40,840
- He who?
- Coppola.
288
00:12:40,960 --> 00:12:42,090
- I get obsessed.
- Clear.
289
00:12:42,340 --> 00:12:44,050
- Oh. It's me. Yes, yes. [indistinct]
- The character.
290
00:12:44,130 --> 00:12:46,720
- [Lula] Sure.
- As you say, he and I am here,
291
00:12:46,800 --> 00:12:47,800
I don't understand what we're talking about.
292
00:12:47,890 --> 00:12:48,890
- [laughs]
- The character.
293
00:12:49,220 --> 00:12:50,930
- No, beautiful. Beautiful story.
- [Lula] Yes.
294
00:12:51,680 --> 00:12:56,600
That's harassment.
Eh, plain and simple. So good.
295
00:12:56,850 --> 00:12:59,570
No, but how? No, no, no.
But she was my girlfriend later.
296
00:12:59,900 --> 00:13:02,650
- We had a long relationship.
- Maybe we're not talking about you.
297
00:13:02,740 --> 00:13:04,650
Let's talk about the character
because if not, it is impossible.
298
00:13:04,860 --> 00:13:06,780
You, no one judges you, Guille.
You stay calm.
299
00:13:07,070 --> 00:13:09,370
No, no, no. You have to listen.
They are points of view.
300
00:13:09,490 --> 00:13:10,830
Let's see, you have to listen.
301
00:13:10,910 --> 00:13:13,080
Times changed. Alright.
No, it's okay.
302
00:13:13,290 --> 00:13:15,710
Well,
And when are they going to pay me?
303
00:13:16,000 --> 00:13:17,460
- Eh… [indistinct]
- That's in the contract, right?
304
00:13:17,710 --> 00:13:19,710
- Ninety days.
- Ninety days from the first payment, yes.
305
00:13:20,210 --> 00:13:21,460
[♪ instrumental music]
306
00:13:22,340 --> 00:13:25,130
No, no, that's what the contract says,
Not that, I already know that.
307
00:13:25,220 --> 00:13:27,680
No, but I'm saying what we talked about at the bar.
Am I honest with you?
308
00:13:28,140 --> 00:13:29,970
- [Pol] Yes.
- I thought I was taking something with me today.
309
00:13:30,350 --> 00:13:31,560
[♪ happy music]
310
00:13:32,100 --> 00:13:34,140
- [Mari] Now it's rubbed.
- [Ariel] Oh, yes.
311
00:13:38,060 --> 00:13:40,690
- Arielito!
- Oh, how are you?
312
00:13:41,650 --> 00:13:42,690
[camera click]
313
00:13:43,070 --> 00:13:45,070
- [Coppola] Director. Swab?
- [Ariel] Negative.
314
00:13:45,150 --> 00:13:46,610
- When did you do it?
- Yesterday.
315
00:13:46,700 --> 00:13:48,320
- Good. We all break it, eh?
- Yes.
316
00:13:48,570 --> 00:13:50,660
My career is going to break
after this series. [laughs]
317
00:13:50,740 --> 00:13:52,740
- Huh?
- No, no, nothing, nothing.
318
00:13:52,950 --> 00:13:55,080
- Very good. Well, shall I give you the little tour?
- Yes. Dale.
319
00:13:55,500 --> 00:13:57,790
- Look. I've had it for thirty-five years.
- Thirty-five.
320
00:13:57,870 --> 00:13:59,920
It's the same. No, we had a mirror here.
321
00:14:00,080 --> 00:14:01,500
- Yes.
- We had with Diego,
322
00:14:01,590 --> 00:14:03,420
- with soccer buddies.
- [camera click]
323
00:14:03,590 --> 00:14:05,510
You settled there and there was action here.
324
00:14:05,630 --> 00:14:06,630
Clear.
325
00:14:06,720 --> 00:14:10,640
Sometimes I touched you here, they looked at you,
sometimes you were there and you watched.
326
00:14:11,680 --> 00:14:13,310
- Without consent.
- This is what we did. Hey?
327
00:14:13,390 --> 00:14:15,390
- Without consent, I say.
- Consent to what?
328
00:14:15,560 --> 00:14:17,140
Let's see. Hey. [nervous laughter]
329
00:14:17,390 --> 00:14:18,520
They fuck at the movies, right?
330
00:14:18,690 --> 00:14:21,310
And there are people who do.
I'm more classic, you see?
331
00:14:21,560 --> 00:14:23,320
Arielito! Come, come
that I keep showing you.
332
00:14:23,440 --> 00:14:25,110
- Yes.
- Well, here you can film whatever you want.
333
00:14:25,320 --> 00:14:26,740
You're okay, huh? What are you doing?
334
00:14:26,820 --> 00:14:28,450
- Gym?
- Eh... Eh, I lift weights at home.
335
00:14:28,650 --> 00:14:32,120
Ah, weights. Marquito, call me later
that I am,
336
00:14:32,200 --> 00:14:35,290
I'm in a meeting
with Ariel Winograd.
337
00:14:35,410 --> 00:14:38,330
Wow, how cute is this jacket.
It's divine, huh?
338
00:14:38,540 --> 00:14:40,830
- Is this from, from Atlanta? Central?
- [camera clicks]
339
00:14:42,000 --> 00:14:43,000
[♪ vibrant music]
340
00:14:44,500 --> 00:14:45,880
It's from Boca.
341
00:14:46,170 --> 00:14:49,550
Oh, of course, no. But I'm a football player
I don't understand a damn, huh?
342
00:14:49,720 --> 00:14:51,090
You're carrying me, aren't you?
343
00:14:51,510 --> 00:14:53,390
No, but, no, no, you don't have to understand.
344
00:14:53,470 --> 00:14:56,060
No, no, yes, now that I see her,
yes, yes, you are right.
345
00:14:56,310 --> 00:14:58,020
- Do you know who I am?
- Yes, yes, yes.
346
00:14:58,310 --> 00:15:00,940
Hey? Arielito. I know more about you
that you of me.
347
00:15:01,100 --> 00:15:02,150
[laughs]
348
00:15:02,310 --> 00:15:04,770
- This way we're not going anywhere.
- [laughs]
349
00:15:05,650 --> 00:15:09,240
- This is the… Is it the vase?
- The vase.
350
00:15:09,900 --> 00:15:11,910
- But the one from…? No. Can you take a photo of me?
- Yes, yes.
351
00:15:12,370 --> 00:15:14,950
- With the Rosario Central jacket.
- Oh. [laughs]
352
00:15:15,370 --> 00:15:16,410
[camera click]
353
00:15:16,660 --> 00:15:18,540
- [rattle]
- [vase breaks]
354
00:15:22,130 --> 00:15:23,290
What are you doing?
355
00:15:25,920 --> 00:15:28,670
No, no, forgive me, forgive me.
No, but... I'm going to hit you, huh?
356
00:15:28,760 --> 00:15:30,300
- I'll hit you, I'll hit you.
- Mari!
357
00:15:31,680 --> 00:15:33,470
- Mari, call Finochietto, Mari.
- [pulse sound]
358
00:15:33,640 --> 00:15:34,680
[mermaid]
359
00:15:34,760 --> 00:15:35,760
[doctor] Clear it.
360
00:15:36,430 --> 00:15:37,430
[normal pulse sound]
361
00:15:37,520 --> 00:15:39,020
No, no, but it's a stupid cannon brand.
362
00:15:39,100 --> 00:15:41,940
- That kid can't direct anything.
- Come here, Guille.
363
00:15:42,020 --> 00:15:44,110
To that kid... to that kid
You have to cut it, right?
364
00:15:44,230 --> 00:15:45,940
Do you understand? It's the only one
who said yes.
365
00:15:46,020 --> 00:15:48,280
The rest say that it is a grease,
that no one is going to watch the series.
366
00:15:48,360 --> 00:15:49,860
Nothing. They don't understand anything.
367
00:15:49,940 --> 00:15:52,610
Listen to me one thing. did you guys talk
with the one from Furious Story?
368
00:15:52,700 --> 00:15:54,570
- Hey, Szifron.
- It happens that it doesn't grab.
369
00:15:54,700 --> 00:15:56,530
Permission. The other way around, the other way around… Put it on.
370
00:15:56,620 --> 00:15:58,080
It seems kind of rubbish to them.
371
00:15:58,200 --> 00:16:00,410
It's step by step,
you have to sell it to them. Did you see?
372
00:16:00,540 --> 00:16:03,420
I had thought of Darín
or Francella.
373
00:16:03,540 --> 00:16:05,130
For me there were two options.
Ricardito put it…
374
00:16:05,210 --> 00:16:07,250
Well, William,
I have known them all my entire life.
375
00:16:07,380 --> 00:16:10,590
Yes…no, too
From the outside I also liked Zorro.
376
00:16:10,670 --> 00:16:12,010
What's it called?
I missed the name.
377
00:16:12,090 --> 00:16:14,260
-Antonio Bandera. Do you like it?
- [Pol] Yes, but he's busy.
378
00:16:14,340 --> 00:16:15,800
No, yes, we might close it.
379
00:16:15,930 --> 00:16:17,720
Well, from Dieguito,
Who... who, who are they thinking...?
380
00:16:17,810 --> 00:16:18,810
I had thought...
381
00:16:18,890 --> 00:16:19,970
[Pol] No, the idea is that Diego
never be seen.
382
00:16:20,310 --> 00:16:22,230
Diego is like a god.
A curse, for you.
383
00:16:22,310 --> 00:16:23,900
- That.
- But it wasn't a curse.
384
00:16:23,980 --> 00:16:25,810
I loved Diego.
It was a blessing, Diego.
385
00:16:25,900 --> 00:16:28,320
No, we already know.
We already know that yes. There it goes.
386
00:16:28,440 --> 00:16:29,860
- There, stay still for a second.
- Yes.
387
00:16:30,280 --> 00:16:31,990
Yes, be careful.
Well, okay, but it's… good.
388
00:16:32,450 --> 00:16:33,490
- [indistinct]
- No, not this.
389
00:16:33,570 --> 00:16:35,820
- No, calm down, that's it. Ready.
- Listen, Diego's appearance
390
00:16:35,910 --> 00:16:38,080
It's something conceptual.
It's as if you wanted...
391
00:16:38,780 --> 00:16:40,870
make a Robin series, for example.
392
00:16:40,950 --> 00:16:43,080
You can't name Batman
next to it Because?
393
00:16:43,160 --> 00:16:45,330
Because Robin doesn't...uh,
stops being the protagonist.
394
00:16:45,420 --> 00:16:46,920
Do you understand me? Well, here,
in this case,
395
00:16:47,000 --> 00:16:50,170
you would be Robin.
If we put Diego on you, you don't exist.
396
00:16:50,920 --> 00:16:53,930
You have to see everything here.
You will understand everything when you read it.
397
00:16:54,090 --> 00:16:55,090
Coppola.
398
00:16:55,180 --> 00:16:56,930
There are some things that are
a little invented
399
00:16:57,010 --> 00:16:59,430
In order to make it something dramatic,
nice to see. Did you see?
400
00:16:59,640 --> 00:17:00,930
No, it's okay. Then, lastly,
401
00:17:01,140 --> 00:17:03,390
If there is something I don't like
or that I feel uncomfortable
402
00:17:03,480 --> 00:17:05,390
or some person
I don't want to name it, we took it out.
403
00:17:05,690 --> 00:17:09,770
No. It happens that you signed the contract
and you don't have veto power.
404
00:17:09,860 --> 00:17:12,610
We can talk about it, we are going to debate it
so that you are calm.
405
00:17:12,780 --> 00:17:15,910
If you don't like something, you write it down, right?
And then the creative team evaluates it.
406
00:17:16,110 --> 00:17:17,410
- That.
-And who is the creative team?
407
00:17:17,490 --> 00:17:18,490
Both of us.
408
00:17:18,700 --> 00:17:20,410
- You know.
- You stay calm.
409
00:17:20,490 --> 00:17:21,490
Well, I'm cracking, guys.
410
00:17:21,580 --> 00:17:22,950
Take the scripts, Guille.
This is very important.
411
00:17:23,040 --> 00:17:24,830
- You have to take them.
- You have to read this.
412
00:17:25,410 --> 00:17:26,420
- Thank you.
- That.
413
00:17:26,540 --> 00:17:28,500
- We greet Guille.
- We greet Guille.
414
00:17:28,630 --> 00:17:30,840
- [applause, indistinct]
- No, no, no. For you.
415
00:17:30,960 --> 00:17:32,710
This applause for you.
416
00:17:32,880 --> 00:17:34,800
- You're going to like it, Guille. Hey? [indistinct]
- Come on, come on. Well, take me…
417
00:17:34,880 --> 00:17:36,300
- Where are they?
- I'm really telling you.
418
00:17:36,380 --> 00:17:37,430
Where are my things?
419
00:17:37,510 --> 00:17:39,220
- What are you looking for? What do you need?
- What suit?
420
00:17:39,510 --> 00:17:40,760
No, nothing, nothing. You came like this.
421
00:17:41,390 --> 00:17:43,140
- Did I come like this?
- You came like this.
422
00:17:43,680 --> 00:17:44,680
[birds chirp]
423
00:17:45,390 --> 00:17:47,520
And? Did you like them, love?
424
00:17:48,350 --> 00:17:49,860
No, I haven't read it yet.
425
00:17:50,110 --> 00:17:53,650
"Cappa Bianca, The Conquest...".
Let's find out what that is.
426
00:17:54,110 --> 00:17:56,320
"My friend Poli, The vase...".
427
00:17:57,280 --> 00:17:58,410
Well.
428
00:17:59,070 --> 00:18:01,780
"Little winning horse,
Fireworks..."
429
00:18:02,620 --> 00:18:03,620
[phone rings]
430
00:18:04,750 --> 00:18:06,500
[Coppola] There it is, look.
431
00:18:06,910 --> 00:18:08,830
- Producer?
- [Pol] Guillote, dear.
432
00:18:08,920 --> 00:18:09,920
How are you doing?
433
00:18:10,000 --> 00:18:11,840
[Pol] We have the protagonist
from the series, Guille.
434
00:18:11,920 --> 00:18:12,920
An imitator?
435
00:18:13,000 --> 00:18:14,920
[Pol] No, how is it going…?
No, no, an actor, an actor.
436
00:18:15,010 --> 00:18:17,840
Ah, an actor. Good.
Who? Gastoncito Paul?
437
00:18:17,930 --> 00:18:19,470
- [Pol] Minujín.
- Who?
438
00:18:19,640 --> 00:18:21,300
[Pol] Juan Gervasio Minujín.
439
00:18:22,390 --> 00:18:24,350
I don't know him. Well, well.
440
00:18:25,980 --> 00:18:26,980
[♪ heavenly music]
441
00:18:28,390 --> 00:18:29,690
[Coppola] Minujín!
442
00:18:31,810 --> 00:18:33,980
- The actor!
- What are you doing, Guille?
443
00:18:35,940 --> 00:18:39,610
Marginal! I'm more marginal
than you, I was in Caseros.
444
00:18:39,990 --> 00:18:42,160
I was ninety-seven days,
Now I'll tell you everything.
445
00:18:42,740 --> 00:18:44,080
Well. A pleasure, huh?
446
00:18:44,580 --> 00:18:46,870
Juancito, how are we doing?
Isopated, negative?
447
00:18:46,950 --> 00:18:48,660
- We're fine, right? With that?
- [scoffs]
448
00:18:50,040 --> 00:18:51,580
I just don't believe in that, you know?
449
00:18:51,830 --> 00:18:55,000
No, COVID
and that for me is an invention. [laughs]
450
00:18:55,670 --> 00:18:59,010
Oh. Well, yes. Hey.
451
00:18:59,430 --> 00:19:00,680
No, there are people
What is with that, yes.
452
00:19:02,430 --> 00:19:04,060
Well, I see you were
doing homework
453
00:19:04,140 --> 00:19:06,270
How nice, the actors,
the world of actors.
454
00:19:06,520 --> 00:19:10,980
Sofia Loren?
Year 1987. Island of Capri.
455
00:19:11,400 --> 00:19:12,980
I know her, the anecdote, eh?
456
00:19:13,150 --> 00:19:15,400
Oh, do you know that one? Well, another one.
457
00:19:15,570 --> 00:19:19,450
Leo, not Sbaraglia
DiCaprio, year 2003.
458
00:19:19,570 --> 00:19:22,530
Guille, eh, no, the…
I know all the anecdotes, right?
459
00:19:22,740 --> 00:19:23,910
I'm very honest with you.
460
00:19:24,280 --> 00:19:26,240
The charming character
that is traveling
461
00:19:26,330 --> 00:19:28,250
television shows
telling the anecdotes,
462
00:19:28,330 --> 00:19:29,750
That's not the one I want to tell.
[laughs]
463
00:19:29,830 --> 00:19:33,420
Now, if we get into another area,
your fears, your shadows,
464
00:19:33,790 --> 00:19:35,920
who is really
Guillermo Esteban Coppola?
465
00:19:36,340 --> 00:19:38,800
Clear. Yes. Well, a bit general
the question, right?
466
00:19:38,880 --> 00:19:40,050
Let's see if how we can...
467
00:19:40,130 --> 00:19:41,970
No, no, I have specific questions, huh?
468
00:19:42,050 --> 00:19:43,340
- Ah, well, well, come on.
- [Juan] Let's go with that?
469
00:19:43,430 --> 00:19:44,510
Yes, yes, come on, come on.
470
00:19:44,600 --> 00:19:45,930
Do you drink sparkling or still water?
471
00:19:46,310 --> 00:19:47,350
No, I'm fine with this.
472
00:19:47,770 --> 00:19:49,930
No, no, it's part of the questions
to know you,
473
00:19:50,020 --> 00:19:52,060
- if you drink sparkling or still water.
- Oh!
474
00:19:52,140 --> 00:19:53,850
Eh... With gas.
475
00:19:54,060 --> 00:19:55,900
How many times do you think
in death per day?
476
00:19:56,650 --> 00:19:57,820
[♪ instrumental music]
477
00:19:58,150 --> 00:19:59,820
- Eh…
- How many mines did you get off?
478
00:20:00,440 --> 00:20:04,410
How many kilos of Viagra do you calculate
more or less what did you drink?
479
00:20:04,490 --> 00:20:06,660
Favorite insult?
Do you believe in life after death?
480
00:20:06,740 --> 00:20:08,660
What would you like to be reincarnated as?
How much cocaine have you taken in your life?
481
00:20:08,740 --> 00:20:10,410
Posh theme. Which way do you turn?
482
00:20:10,500 --> 00:20:12,870
Elbow cream theme.
Poop issue? Paper? Or bidet?
483
00:20:12,960 --> 00:20:14,540
Twine theme in black?
Where do you keep it?
484
00:20:14,630 --> 00:20:15,880
Anal dilation issue?
Are you afraid of the sea?
485
00:20:15,960 --> 00:20:17,500
If you were a planet, which one would you be?
486
00:20:17,590 --> 00:20:19,170
- Planet?
- Let's see, you're there.
487
00:20:19,260 --> 00:20:20,720
There is Diego, Napoli.
488
00:20:20,800 --> 00:20:22,510
If you were a Spice Girl, which one would you be?
489
00:20:22,590 --> 00:20:24,010
How do you handle it?
Does Maradona bitch at you?
490
00:20:24,090 --> 00:20:25,760
Does your sponsor bitch you?
Question 432.
491
00:20:25,890 --> 00:20:27,140
Is it important to know all this?
492
00:20:27,510 --> 00:20:30,770
Is it very important to you
know all this?
493
00:20:31,180 --> 00:20:32,180
[drum finish]
494
00:20:33,810 --> 00:20:36,270
No, it's just not... [laughs]
I don't understand you. [laughs]
495
00:20:36,650 --> 00:20:38,070
Good. [sighs]
496
00:20:38,230 --> 00:20:39,230
I'm diving.
497
00:20:39,320 --> 00:20:40,440
Well. listen to me,
498
00:20:40,570 --> 00:20:42,450
how are they going to do
so that we look alike?
499
00:20:42,950 --> 00:20:45,200
[sighs] Yes, that's a topic, you see?
500
00:20:46,320 --> 00:20:47,700
[drum finish]
501
00:20:49,200 --> 00:20:51,950
[Juan] Guys, I don't want to get involved,
but I don't see this.
502
00:20:52,080 --> 00:20:53,830
No, I would never wear this.
503
00:20:54,420 --> 00:20:56,830
This is a sandpaper.
And what ass brand did they go looking for?
504
00:20:57,040 --> 00:20:58,790
It's just not for you.
It's for the actor, you know?
505
00:20:59,210 --> 00:21:01,300
I know, it's not for me to use,
but hey, anyway, see?
506
00:21:01,420 --> 00:21:03,090
But we have to continue correcting.
507
00:21:03,220 --> 00:21:05,470
But it has nothing to do with that.
Look what this is.
508
00:21:05,680 --> 00:21:07,760
It has... but it has something here.
Please touch it.
509
00:21:07,930 --> 00:21:09,100
Am I crazy?
510
00:21:09,600 --> 00:21:12,890
Do you know what happens? What on screen
You can't read the fabric, the brand, huh?
511
00:21:13,180 --> 00:21:15,640
It's more of a question
of textures, of colors.
512
00:21:16,560 --> 00:21:18,270
we can't buy
all Armani shirts.
513
00:21:18,360 --> 00:21:19,900
There is no budget, right?
Apart.
514
00:21:20,480 --> 00:21:22,360
Look, do something. There, write down.
515
00:21:22,780 --> 00:21:24,900
It's okay, it's okay.
No, I don't think so.
516
00:21:25,530 --> 00:21:27,490
[Coppola] Gianelli. Gianelli Tailoring.
517
00:21:27,780 --> 00:21:29,660
We went there.
They say you owe a fortune.
518
00:21:29,780 --> 00:21:31,950
- Could be?
- No, no, I don't think so.
519
00:21:32,120 --> 00:21:34,250
Wino, can you come for a second?
please?
520
00:21:34,410 --> 00:21:36,790
You have to talk to the owner.
Always the owner, always.
521
00:21:36,870 --> 00:21:37,880
[indistinct]
522
00:21:37,960 --> 00:21:40,040
Wino, this is a disaster,
They can't say it's okay.
523
00:21:40,420 --> 00:21:41,630
Well, there is progress.
524
00:21:41,710 --> 00:21:43,630
But, idiot,
He doesn't look anything like Coppola.
525
00:21:43,710 --> 00:21:46,760
- [Ariel] No, but, but Juan is not there.
- Yes, to me it doesn't look like me.
526
00:21:47,090 --> 00:21:48,970
I see it more similar
to that little elf from the Baggins.
527
00:21:49,140 --> 00:21:51,140
- No, no, it's a search.
- He says so.
528
00:21:51,220 --> 00:21:52,350
It's going to appear.
529
00:21:52,430 --> 00:21:54,350
[Juan] No, no, it's crazy, idiot.
Enough.
530
00:21:54,430 --> 00:21:56,140
- What do you think?
- [indistinct]
531
00:21:56,230 --> 00:21:58,060
- [Coppola] That's good, it's divine.
- Step by step too, right?
532
00:21:58,310 --> 00:22:00,520
But step by step there are five days left
to start recording. What happened?
533
00:22:00,610 --> 00:22:02,530
But when the wig arrives
changes the whole panorama.
534
00:22:02,610 --> 00:22:03,610
Stop it, cut it off, idiot!
535
00:22:03,690 --> 00:22:04,990
Talk about the wig,
I'm serious, I'm telling you.
536
00:22:05,190 --> 00:22:06,950
- You have me up to here.
- [they fight indistinctly]
537
00:22:07,030 --> 00:22:08,780
Everyone told me:
"Don't do it, don't do it,
538
00:22:08,860 --> 00:22:10,030
"You're going to catch fire in this shit."
539
00:22:10,120 --> 00:22:11,530
Do you know why I grabbed it? For you.
540
00:22:11,620 --> 00:22:12,660
Because I respect you a little,
541
00:22:12,740 --> 00:22:14,870
Because I saw two or three of your movies,
more or less well, they got away, what do I know.
542
00:22:15,040 --> 00:22:16,410
- Good director, he is.
- [Juan] It's a disaster.
543
00:22:16,500 --> 00:22:17,500
No, he is not a good director.
544
00:22:17,620 --> 00:22:19,380
You don't understand anything.
Do you want to film this?
545
00:22:19,460 --> 00:22:21,790
Where are you going to film this?
Are you going to film it from behind?
546
00:22:22,340 --> 00:22:23,340
But it's okay, I'm moving forward.
547
00:22:23,420 --> 00:22:26,050
I'm going to make a life of this...
professional blackmail.
548
00:22:26,170 --> 00:22:27,170
- For! [indistinct]
- [indistinct]
549
00:22:27,470 --> 00:22:29,510
The highlights of your life
are getting up well and spending money
550
00:22:29,590 --> 00:22:31,430
which was not his.
Okay, I'll do it.
551
00:22:31,510 --> 00:22:33,310
I look at all the shit
of reference that they send me.
552
00:22:33,470 --> 00:22:35,930
I look at him, I study his gestures,
this, that, I don't know what.
553
00:22:36,480 --> 00:22:38,640
Will you send me this?
This party favor mask?
554
00:22:38,940 --> 00:22:40,770
But what do you think? What am I stupid?
555
00:22:41,270 --> 00:22:42,270
[Ariel] Well.
556
00:22:42,360 --> 00:22:44,940
I am Juan Gervasio Minujín, brother.
I studied in London.
557
00:22:45,030 --> 00:22:46,030
Yes.
558
00:22:46,440 --> 00:22:50,530
I have a lineage of artist, idiot,
and you come to me with this nonsense.
559
00:22:50,820 --> 00:22:53,160
- My, my aunt is Marta Minujín.
- [Ariel] We know.
560
00:22:53,280 --> 00:22:55,450
What's your aunt's name? Esther?
561
00:22:55,620 --> 00:22:57,370
- Esther is her name.
- Is her name Esther?
562
00:22:57,580 --> 00:22:58,750
- Yes.
- Fair.
563
00:23:00,040 --> 00:23:02,460
I find out that her name is not Esther
and I'll break your head.
564
00:23:02,670 --> 00:23:04,800
How many awards did you win?
Do you know the Martin Fierro award?
565
00:23:04,880 --> 00:23:06,760
I don't know if you know him.
I earned two.
566
00:23:06,840 --> 00:23:08,510
How many did you win?
You didn't earn any.
567
00:23:08,590 --> 00:23:10,260
I checked it today. You didn't earn any.
568
00:23:10,340 --> 00:23:11,840
And are you coming to disrespect me?
with this shit?
569
00:23:12,140 --> 00:23:13,510
Go back to university, whatever.
570
00:23:13,930 --> 00:23:15,430
- [Cabe] I have good vibes.
- [Juan] Dedicate yourself to something else.
571
00:23:16,310 --> 00:23:17,770
[Cabe] Juancito, calm down.
Let's talk.
572
00:23:17,850 --> 00:23:19,140
Why are you touching me?
What do you play?
573
00:23:19,230 --> 00:23:21,270
Juancito, are you saying to me?
I'll break your head.
574
00:23:21,600 --> 00:23:22,610
- Sorry. Forgive me.
- Calm down, calm down.
575
00:23:22,690 --> 00:23:23,690
[Juan] Linings!
576
00:23:23,980 --> 00:23:26,650
And I'll break your entire production company,
shitty linings.
577
00:23:26,820 --> 00:23:28,900
- [chair noise]
- [Pol] Guard. Don't break my chair.
578
00:23:29,700 --> 00:23:30,700
He's crazy.
579
00:23:30,780 --> 00:23:32,660
Didn't they tell me that Bulgarian wigs
Did they arrive a month ago?
580
00:23:32,740 --> 00:23:34,490
No, no, they were delayed at customs.
581
00:23:34,580 --> 00:23:35,660
- Okay.
- Can you tell me what we do?
582
00:23:35,740 --> 00:23:38,040
- Can't we call Leo Sbaraglia?
- Enough of Leo Sbaraglia!
583
00:23:38,120 --> 00:23:40,210
He already played Coppola
in the other series, please.
584
00:23:41,250 --> 00:23:42,290
[steps moving away]
585
00:23:43,630 --> 00:23:44,630
[musical beat]
586
00:23:44,920 --> 00:23:47,170
We have to kill the project, idiot.
Now.
587
00:23:47,300 --> 00:23:48,800
- [pulse sound]
-[muffled] And yes,
588
00:23:48,880 --> 00:23:50,630
You have to return all the money.
No one charges.
589
00:23:50,970 --> 00:23:51,970
[♪ sentimental music]
590
00:23:52,300 --> 00:23:54,090
- Are we a bank?
- Guys, sorry.
591
00:23:54,390 --> 00:23:57,350
Sorry for getting into it.
Will you let me try to fix it?
592
00:23:57,560 --> 00:23:59,270
Let's not kill anything, okay?
Let's not kill anything.
593
00:23:59,730 --> 00:24:01,020
- Now?
- Yes. Let's see,
594
00:24:01,100 --> 00:24:03,060
Let's see if I can soften it now.
595
00:24:04,610 --> 00:24:05,980
[♪ suspense music]
596
00:24:07,480 --> 00:24:09,110
[Juan] They don't know how to do it.
597
00:24:09,280 --> 00:24:11,030
Well, I'm not going to do it.
598
00:24:11,530 --> 00:24:13,740
I'm not going to screw up my career
for a shitty series like that.
599
00:24:14,110 --> 00:24:15,570
Are you my representative
or are you not my representative?
600
00:24:15,660 --> 00:24:18,700
I'm not going to do it, I don't know.
Take those out for me...
601
00:24:19,120 --> 00:24:21,330
I don't give a damn about the contract.
Let them do what they want.
602
00:24:21,410 --> 00:24:22,540
I'm not going to do it.
603
00:24:22,620 --> 00:24:24,250
do whatever it takes
to get me out of the series.
604
00:24:25,000 --> 00:24:26,500
- [sniffles]
- [car beep]
605
00:24:26,880 --> 00:24:27,880
Juan, Juan, Juan.
606
00:24:28,380 --> 00:24:29,380
[♪ sentimental music]
607
00:24:29,590 --> 00:24:31,840
Uh, what an anvil this guy, please.
608
00:24:33,010 --> 00:24:34,130
Just a minute more.
609
00:24:34,220 --> 00:24:35,760
And it's not with you, Guillermo, really.
Is everything all right.
610
00:24:35,840 --> 00:24:37,220
It's not personal, it's not with you.
611
00:24:37,720 --> 00:24:39,470
[gasps] There you have it.
612
00:24:40,020 --> 00:24:41,020
There you have what?
613
00:24:41,430 --> 00:24:44,770
Did you see that you asked me the other day
what the essence of my life was like.
614
00:24:45,310 --> 00:24:47,440
[gasps] Well, that's how it was.
615
00:24:48,110 --> 00:24:50,150
That tension that you just experienced,
616
00:24:50,570 --> 00:24:53,530
that feeling
that everything is going to shit for you,
617
00:24:53,700 --> 00:24:55,490
that you have to put on a mask
that you don't like,
618
00:24:55,570 --> 00:24:57,370
be a character that makes you uncomfortable.
619
00:24:57,740 --> 00:24:59,580
My life... like this, of...
620
00:24:59,990 --> 00:25:03,040
Pout when you're fine,
smile when you want to kill yourself.
621
00:25:03,120 --> 00:25:04,540
That's how it was.
622
00:25:05,170 --> 00:25:08,340
Listen to me, forget about that prosthesis
what they want to put on you.
623
00:25:08,460 --> 00:25:11,300
They are not important.
Don't wear anything.
624
00:25:11,760 --> 00:25:15,550
Do it from you.
Be Guillote, period.
625
00:25:15,800 --> 00:25:16,800
[♪ music continues]
626
00:25:16,890 --> 00:25:19,470
And if you want to get off, everything is fine.
627
00:25:19,560 --> 00:25:21,850
Do you know the times I wanted to get off
me of this role?
628
00:25:24,440 --> 00:25:26,310
And the difference is that I couldn't.
629
00:25:26,730 --> 00:25:30,400
Look, do you know how grateful
What am I now?
630
00:25:39,280 --> 00:25:40,530
- [hits car]
- Good.
631
00:25:41,620 --> 00:25:43,540
Look at the machine you bought, huh?
632
00:25:43,700 --> 00:25:44,710
It's exchange.
633
00:25:45,910 --> 00:25:49,080
Very good. Well, if you want a black one,
you let me know
634
00:25:49,540 --> 00:25:54,210
Juan Gervasio Minujín, actor!
It's going to be a success!
635
00:25:55,050 --> 00:25:56,720
- [thunder]
- [Coppola] What a day we had!
636
00:25:56,840 --> 00:25:59,010
Terrible. Do you record a video
to my wife, Paz?
637
00:25:59,140 --> 00:26:00,600
- Oh, of course!
- Have me.
638
00:26:01,220 --> 00:26:03,350
- [on video] Are you… are you… are you on rec?
- [assistant, on video] Yes. Dale, recording.
639
00:26:03,970 --> 00:26:04,980
[knocks on door]
640
00:26:05,350 --> 00:26:07,350
- That's how I want mine.
- Juan. You have a visitor.
641
00:26:07,690 --> 00:26:09,020
- Oh!
- Oh. [laughs]
642
00:26:11,020 --> 00:26:13,400
Look what they are, I can't believe it.
643
00:26:14,030 --> 00:26:16,360
Bulgarian wigs,
They finally arrived.
644
00:26:16,700 --> 00:26:18,410
You are more, more Guillote than Guillote.
645
00:26:18,530 --> 00:26:19,530
[laughing] You say?
646
00:26:20,160 --> 00:26:21,990
- Did you try fucking with the wig?
- [laughs]
647
00:26:22,240 --> 00:26:23,740
Minujín's motorhome!
648
00:26:23,950 --> 00:26:26,250
Very good. Well, how do they come?
With what, what do they start with?
649
00:26:26,580 --> 00:26:29,670
With a scene, with the scene
where Coppola goes to see Enzo
650
00:26:30,130 --> 00:26:31,380
- and asks for the F-40.
- [claps]
651
00:26:31,460 --> 00:26:35,380
- Nice scene. [speaks in Italian]
- [laughs] Yes.
652
00:26:35,920 --> 00:26:38,800
[laughs] No, no,
These scenes are beautiful, they are…
653
00:26:39,680 --> 00:26:42,300
- The shit is coming next week.
- Why fucked up?
654
00:26:43,810 --> 00:26:44,810
[♪ sad music]
655
00:26:45,680 --> 00:26:47,060
Didn't you read the scripts?
656
00:26:49,230 --> 00:26:50,850
Yes, I read it, I read it. Yes.
657
00:26:51,150 --> 00:26:52,690
- Come on, Juan, put it in.
- [door slam]
658
00:26:52,820 --> 00:26:55,400
Well, Juancito, go, go, go.
659
00:26:55,480 --> 00:26:57,650
The only thing… can I use the bathroom for you?
a minute?
660
00:26:57,900 --> 00:27:00,410
- But you're going calmly, huh?
- Yes, yes, obvious, obvious, obvious.
661
00:27:00,820 --> 00:27:01,950
I get ready and go out.
662
00:27:02,530 --> 00:27:03,580
[rain falls]
663
00:27:04,160 --> 00:27:05,160
[door slam]
664
00:27:06,290 --> 00:27:07,410
[♪ suspense music]
665
00:27:13,960 --> 00:27:16,920
Sons of bitches.
Let them suck it with sand.
666
00:27:17,920 --> 00:27:20,630
Darling! Diego, you know, forget it.
667
00:27:21,340 --> 00:27:24,720
What a pregnancy does to you is lethal.
to a woman's body.
668
00:27:24,810 --> 00:27:25,890
It destroys him.
669
00:27:26,220 --> 00:27:28,680
Why did they put this in, huh?
No, not this.
670
00:27:29,350 --> 00:27:30,640
Instead, I know a doctor.
671
00:27:30,890 --> 00:27:33,480
A guy, sir, serious guy. AND?
672
00:27:34,150 --> 00:27:35,150
[thunder]
673
00:27:35,400 --> 00:27:36,400
They are crazy, huh?
674
00:27:36,610 --> 00:27:38,740
- [groans]
- [Coppola] Tell me I'm number ten!
675
00:27:39,530 --> 00:27:40,860
[snorts]
676
00:27:41,860 --> 00:27:42,870
[shot]
677
00:27:42,950 --> 00:27:45,120
But how are they going to make a series out of this?
678
00:27:45,410 --> 00:27:46,410
[screams]
679
00:27:46,490 --> 00:27:49,200
No, no, no, no, no, no, no, no.
680
00:27:49,330 --> 00:27:52,710
This is crap.
Reconcha of my mother.
681
00:27:53,000 --> 00:27:56,420
And here we wait for the Ferrari,
and that's a Ferrari?
682
00:27:56,800 --> 00:27:57,800
[end of music]
683
00:27:58,340 --> 00:27:59,340
What is this?
684
00:27:59,800 --> 00:28:02,260
Ah, due to legal issues it cannot be used
the Ferrari logo.
685
00:28:02,340 --> 00:28:03,340
Hey?
686
00:28:03,430 --> 00:28:05,220
In theory you can't say either.
the word Ferrari.
687
00:28:05,470 --> 00:28:07,720
Every time someone says
the word Ferrari will beep.
688
00:28:08,060 --> 00:28:10,230
-Ferrari.
- [beep]
689
00:28:10,810 --> 00:28:13,600
- Fe… Ferra… No.
- [beep]
690
00:28:14,150 --> 00:28:15,150
Well, that's the least of it.
691
00:28:15,560 --> 00:28:17,400
Rodolfo Ranni is super hot
and he doesn't want to film.
692
00:28:17,900 --> 00:28:18,900
And why is it hot?
693
00:28:18,980 --> 00:28:20,860
Because no one asked him
if he spoke Italian.
694
00:28:21,030 --> 00:28:22,910
Everyone assumes so
because they call him the Tano.
695
00:28:22,990 --> 00:28:23,990
- Of course, Tano Rani.
- No.
696
00:28:24,070 --> 00:28:26,660
But he actually speaks Portuguese
and some German.
697
00:28:27,200 --> 00:28:28,910
He says that if we want he can do it in Portuguese.
698
00:28:28,990 --> 00:28:31,660
Overall, people are all idiots
and he won't realize it.
699
00:28:31,750 --> 00:28:32,750
Ah, incredible.
700
00:28:33,040 --> 00:28:34,880
do you know
What do I do as Enzo Ferrari?
701
00:28:35,170 --> 00:28:36,960
Hey, hey, ask us not to look at it
in the eyes
702
00:28:37,210 --> 00:28:38,960
and says he takes a shot
and it's going to hell.
703
00:28:39,050 --> 00:28:40,420
By the way, do you understand me?
704
00:28:40,510 --> 00:28:42,630
I'm going to screw up the director.
Listen to me, useless.
705
00:28:42,760 --> 00:28:43,970
[indistinct] Don't look at it.
706
00:28:44,180 --> 00:28:46,800
How are you, dear piece?
of repelotudo?
707
00:28:46,890 --> 00:28:48,850
four hours ago
that I have myself waiting here.
708
00:28:48,930 --> 00:28:50,970
And if I play Ferrari,
There has to be a Ferrari.
709
00:28:51,060 --> 00:28:52,890
No, now comes the Ferrari,
Now comes the Ferrari.
710
00:28:52,980 --> 00:28:54,520
Do you want to tell me where the Ferrari is?
711
00:28:54,600 --> 00:28:57,940
You can't even direct the traffic
and I won't screw you,
712
00:28:58,020 --> 00:29:00,530
nothing more than because I'm freezing cold
and my hand hurts.
713
00:29:00,780 --> 00:29:02,820
- Wino. Sorry, Rodo, is everything okay?
- [Ariel] What are you doing? Yeah, what's up?
714
00:29:03,070 --> 00:29:05,530
Where was my scene?
Do you notice what scene I'm in?
715
00:29:06,070 --> 00:29:07,450
Oh, no, there was a mistake and… [indistinct]
716
00:29:07,530 --> 00:29:09,160
No, there was no mistake.
There were many mistakes.
717
00:29:09,240 --> 00:29:10,370
They summoned me to the fart.
718
00:29:10,540 --> 00:29:11,910
four hours ago
that they are making up for me
719
00:29:12,000 --> 00:29:13,540
like a door
Are you fucking with me?
720
00:29:13,870 --> 00:29:16,500
What are you looking at me like that?
Stupid. What's the matter?
721
00:29:16,750 --> 00:29:19,040
- You were filming and he didn't know.
- [Mónica] Yes, again.
722
00:29:19,130 --> 00:29:20,590
I have 57 movies, man.
723
00:29:20,710 --> 00:29:22,760
I've never been in anything like this.
so chaotic
724
00:29:22,840 --> 00:29:24,050
- Calm down, calm down.
- Huh?
725
00:29:24,130 --> 00:29:25,130
Excuse me.
726
00:29:25,260 --> 00:29:27,180
What excuses?
You pay me for the day, man.
727
00:29:27,260 --> 00:29:30,470
Kneel down. Now I asked for forgiveness, for God's sake.
728
00:29:31,560 --> 00:29:33,480
- Forgive me.
- I feel like shitting you hard.
729
00:29:33,560 --> 00:29:35,770
- No, no, no, no. Leave it.
- [Rodo] Who gave birth to him.
730
00:29:36,060 --> 00:29:38,230
- [Cabe] They're all gone.
- You close your asshole.
731
00:29:38,690 --> 00:29:39,730
[Cabe] If I didn't tell you anything.
732
00:29:39,820 --> 00:29:41,110
[Mónica] Calm down, Rodo,
that's going to hurt you. Come.
733
00:29:41,400 --> 00:29:43,780
- Is something else going to happen? Oh no.
- Ariel, Ariel, Ariel, Ariel, come, come.
734
00:29:44,240 --> 00:29:45,240
Yeah?
735
00:29:46,070 --> 00:29:47,740
What is this? I asked you to take care of me.
736
00:29:48,070 --> 00:29:50,410
I was very clear.
A good series, I told them.
737
00:29:50,830 --> 00:29:53,040
These scripts are full
of compromising things.
738
00:29:53,330 --> 00:29:55,080
What do they do? What do they want from me?
Screw up life?
739
00:29:55,160 --> 00:29:58,580
They are going to come ring my bell,
Not to you, no one knows you.
740
00:29:58,880 --> 00:30:00,840
Ariel, Arielito, Arielito,
listen to me one thing.
741
00:30:00,920 --> 00:30:03,340
I am the one who loves the most
let this series be made.
742
00:30:03,590 --> 00:30:06,010
But let me tell it to me,
let me put my hand,
743
00:30:06,170 --> 00:30:10,010
Let me put the spoon in there.
I know how to tell, it's my life. Yeah?
744
00:30:10,350 --> 00:30:11,470
Do you want to give me a hand on this?
745
00:30:12,560 --> 00:30:15,350
Hey, go there, talk to the little brothers,
those two idiots,
746
00:30:15,430 --> 00:30:17,440
and let them organize things for me.
I help you.
747
00:30:17,520 --> 00:30:20,560
- We found the way around it.
- No, William. No.
748
00:30:21,150 --> 00:30:23,440
Because you don't understand cinema
a joke, you know?
749
00:30:24,860 --> 00:30:26,900
[laughs] The truth is, yes. Incredible.
750
00:30:27,200 --> 00:30:28,490
- I ask for three Fer…
- [beep]
751
00:30:28,660 --> 00:30:30,780
They bring me a Fiat Uno,
a Fuego Coupe
752
00:30:30,870 --> 00:30:32,740
and a Renault 11 they bring me.
753
00:30:32,830 --> 00:30:35,040
- Turbo.
- [Ariel] Put the turbo in the ortho.
754
00:30:36,000 --> 00:30:38,750
I want a burrito.
A burrito instead of the horse.
755
00:30:38,920 --> 00:30:40,250
- Fer's donkey...
- [beep]
756
00:30:40,540 --> 00:30:42,710
On top of that I have to smoke
to this old man.
757
00:30:42,790 --> 00:30:44,840
you have each other
to take care of all this
758
00:30:45,210 --> 00:30:46,210
what's happening
759
00:30:46,300 --> 00:30:48,260
We are trying to solve
the logo theme with legal.
760
00:30:48,340 --> 00:30:50,550
The logo theme. To a Renault 11
Do you want to put the Fer logo on it…
761
00:30:50,640 --> 00:30:52,850
- [beep]
- To a Renault 11 Turbo.
762
00:30:53,010 --> 00:30:55,140
Look how everyone looks.
Look how everyone looks.
763
00:30:55,220 --> 00:30:58,480
What is it? An intervention?
Is this a joke for Videomatch?
764
00:30:58,640 --> 00:31:01,900
Everyone go away
to the blackened shell of his mother.
765
00:31:01,980 --> 00:31:03,940
Put the series in the ortho.
766
00:31:05,190 --> 00:31:06,940
- [bang]
- [muffled screams]
767
00:31:07,530 --> 00:31:09,280
[♪ suspense music]
768
00:31:10,450 --> 00:31:11,740
Oh, God.
769
00:31:18,500 --> 00:31:20,920
Guys, do you have a good lawyer?
770
00:31:21,370 --> 00:31:23,040
- Yes.
- Do you want me to call Mariano?
771
00:31:23,420 --> 00:31:25,000
Pass the contact and call him…
772
00:31:25,130 --> 00:31:27,460
[hesitates] Look too, Rodolfo.
of the Finochietto,
773
00:31:27,550 --> 00:31:29,260
send an ambulance
to search for it.
774
00:31:29,340 --> 00:31:31,220
- I'm telling you, this one...
- It was not insured.
775
00:31:31,300 --> 00:31:33,300
More than an ambulance,
morgue you have to call, eh?
776
00:31:33,390 --> 00:31:35,470
- It was not insured.
- No, how did I die...? No… [babbles]
777
00:31:35,600 --> 00:31:37,560
Call the lawyer first,
then you call the ambulance.
778
00:31:37,720 --> 00:31:39,270
- Don't be stupid.
- [Cabe] He's going to die.
779
00:31:39,480 --> 00:31:40,480
[♪ tragic music]
780
00:31:40,940 --> 00:31:43,650
- [indistinct dialogues over police radio]
- [radio beep]
781
00:31:46,400 --> 00:31:49,650
We suspend everything, people. Hey?
We're here, that's it.
782
00:31:49,740 --> 00:31:51,570
Hello, daddy.
Yes, I've already warned everyone.
783
00:31:54,370 --> 00:31:56,330
What is it going to be? [sighs]
784
00:31:56,490 --> 00:31:59,120
We were very excited
with this series, Guillermo.
785
00:32:01,330 --> 00:32:03,670
Sometimes things don't turn out the way you think.
786
00:32:04,040 --> 00:32:05,130
[♪ sentimental music]
787
00:32:08,210 --> 00:32:09,550
[whispers] Give me a minute.
788
00:32:09,970 --> 00:32:10,970
Ho… hello, Sama.
789
00:32:11,050 --> 00:32:14,050
No, it's to warn you that in the end
I am available for three weeks.
790
00:32:14,300 --> 00:32:15,300
[♪ instrumental music]
791
00:32:15,430 --> 00:32:17,760
Listen to me. Is it very difficult to direct?
792
00:32:18,140 --> 00:32:20,310
No, any idiot leads.
793
00:32:20,430 --> 00:32:24,060
Oh yeah?
Guys, let me pilot this.
794
00:32:24,480 --> 00:32:25,560
That? Lead?
795
00:32:25,860 --> 00:32:27,650
Do you know hot potatoes?
What did I get with Diego?
796
00:32:28,020 --> 00:32:29,940
- This is a warm potato.
- [Cabe] No, it's okay.
797
00:32:30,030 --> 00:32:32,610
We have to talk to Juan.
We need him to be inside.
798
00:32:33,110 --> 00:32:34,110
Javi, listen to me.
799
00:32:34,410 --> 00:32:36,740
I am available
for the next seven weeks, you know?
800
00:32:38,410 --> 00:32:39,620
[♪ music becomes mysterious]
801
00:32:41,330 --> 00:32:42,330
Juancito.
802
00:32:44,460 --> 00:32:45,580
Hear me.
803
00:32:45,710 --> 00:32:46,750
[lion roar]
804
00:32:47,000 --> 00:32:50,800
Wouldn't you dare to... direct it?
805
00:32:51,420 --> 00:32:53,130
The series? That you direct the series?
806
00:32:53,970 --> 00:32:54,970
[Coppola] Yes.
807
00:32:58,640 --> 00:33:00,060
I don't see you, I don't know.
808
00:33:00,180 --> 00:33:01,680
If you want, we can put a price on it.
809
00:33:02,390 --> 00:33:03,390
[roar]
810
00:33:03,690 --> 00:33:04,730
Ten lucas?
811
00:33:04,810 --> 00:33:07,020
Ten lucas? No.
812
00:33:07,400 --> 00:33:08,400
[roar]
813
00:33:08,690 --> 00:33:11,400
- Twenty.
- No no. You're far, far, far away.
814
00:33:11,860 --> 00:33:14,280
Should we duplicate it? Forty lucas.
Shall we close in forty?
815
00:33:16,820 --> 00:33:18,780
Fifty. And the clock.
816
00:33:20,370 --> 00:33:22,660
[roars]
817
00:33:24,540 --> 00:33:26,250
[Coppola] Get ready,
stay there in character.
818
00:33:26,370 --> 00:33:27,920
- Guys, guys.
- [♪ animated music]
819
00:33:28,000 --> 00:33:29,670
Give it a little brush.
820
00:33:29,920 --> 00:33:33,590
Well. Eh, well, he rearmed himself,
was rearmed.
821
00:33:33,720 --> 00:33:35,380
Because I'm going to need
a little bit of your help.
822
00:33:35,470 --> 00:33:36,640
[director] Eh, ah…
823
00:33:36,760 --> 00:33:38,930
So I tell you the story,
I'll set up the cameras. Seem to you?
824
00:33:39,010 --> 00:33:40,350
But there is a problem.
825
00:33:40,470 --> 00:33:42,220
Because this must be
the Ferrari factory,
826
00:33:42,310 --> 00:33:44,230
but no... we don't get the...
827
00:33:44,310 --> 00:33:46,020
What do you need? A Ferrari?
828
00:33:46,390 --> 00:33:48,310
- Three. Yes.
- Three Ferraris?
829
00:33:49,150 --> 00:33:50,610
- You're fast, you.
- [laughs]
830
00:33:50,980 --> 00:33:53,440
Wait a little bit. Let's see, let me see.
One second.
831
00:33:54,280 --> 00:33:55,280
[ringtone]
832
00:33:55,950 --> 00:33:58,620
[speaks in Italian]
833
00:33:58,870 --> 00:33:59,870
Hello, yes.
834
00:34:00,450 --> 00:34:02,040
[speaks in Italian]
835
00:34:10,380 --> 00:34:11,500
[♪ music intensifies]
836
00:34:25,230 --> 00:34:27,640
[director] Silence team,
let's record. Sound.
837
00:34:28,020 --> 00:34:29,020
[indistinct]
838
00:34:29,270 --> 00:34:33,480
[director] Chapter one, scene 19,
twenty B, shot three, take one, camera.
839
00:34:34,150 --> 00:34:35,150
[♪ short music]
840
00:34:38,200 --> 00:34:39,410
Can I say?
841
00:34:46,160 --> 00:34:47,160
Action.
842
00:34:47,620 --> 00:34:48,750
[♪ lively music resumes]
843
00:34:54,550 --> 00:34:56,260
I think it turned out well.
844
00:34:56,800 --> 00:35:00,220
It's just not a series, Diego.
There are six movies, Diego.
845
00:35:00,430 --> 00:35:02,260
- [birds chirp]
-And they started badly.
846
00:35:02,600 --> 00:35:05,310
No no. I had no idea
how to do it.
847
00:35:05,600 --> 00:35:07,020
And the director?
848
00:35:07,640 --> 00:35:10,230
May the deceased rest in peace,
but… Disaster.
849
00:35:10,480 --> 00:35:13,730
And Minujin?
And complicated at first.
850
00:35:13,860 --> 00:35:15,650
Then I gave him some guidelines.
Then good.
851
00:35:15,730 --> 00:35:18,320
No, later fine, later.
No, more Guillote than Guillote.
852
00:35:18,490 --> 00:35:21,200
You should see it.
One season.
853
00:35:21,410 --> 00:35:24,950
But, there, it's going well,
we do the second.
854
00:35:25,830 --> 00:35:29,830
But that one… [laughs]
…that one is for stealing, Diego. [laughs]
855
00:35:30,710 --> 00:35:33,130
We are here at home
by Guillermo Coppola,
856
00:35:33,250 --> 00:35:36,000
that will break the silence.
Guillote is arriving.
857
00:35:36,460 --> 00:35:38,590
- Guille, how are you?
-Guido, how are you? Good?
858
00:35:38,670 --> 00:35:39,670
One minute.
859
00:35:39,760 --> 00:35:42,300
Guille, there is a lot of controversy
regarding your series.
860
00:35:42,430 --> 00:35:45,310
This is a series where there are no villains.
861
00:35:45,390 --> 00:35:47,810
And in any case, if there is a villain, it is me.
862
00:35:47,930 --> 00:35:51,560
But, Guillote, tell me,
Is what the series shows real?
863
00:35:51,900 --> 00:35:53,940
Does it show reality?
864
00:35:54,270 --> 00:35:56,150
[♪ "The things you don't touch" plays
of Intoxicated]
865
00:35:56,480 --> 00:35:57,480
[laughs]
866
00:35:58,030 --> 00:35:59,030
Thank you.
867
00:35:59,110 --> 00:36:01,070
- Bye, guys. Thank you.
- There it is. There it is.
868
00:36:06,740 --> 00:36:07,790
[song intensifies]
869
00:36:14,880 --> 00:36:15,880
[laughs]
870
00:36:30,140 --> 00:36:33,270
- [man] Cut!
- [laugh] [indistinct dialogue]
871
00:36:36,020 --> 00:36:37,270
We have to finish at the top.
872
00:36:37,360 --> 00:36:38,530
- [Coppola] Yes.
- Do you understand?
873
00:36:40,240 --> 00:36:41,240
[Juan] Everything, everything.
874
00:36:42,030 --> 00:36:43,570
[director] [indistinct] Be printed.
875
00:36:44,780 --> 00:36:47,120
- Yesterday, you saw… [indistinct] …less body.
- [laughs]
876
00:36:48,580 --> 00:36:49,660
[♪ continues song]
877
00:36:55,250 --> 00:36:56,250
[screams]
878
00:37:09,600 --> 00:37:10,970
[indistinct]
879
00:37:13,350 --> 00:37:14,440
I make you mine.
880
00:37:18,110 --> 00:37:19,650
[laughs]
881
00:37:26,530 --> 00:37:30,410
Hey, Cappa Bianca, now it's your turn
be the protagonist of this story.
882
00:37:37,670 --> 00:37:39,130
Already in the hug...
883
00:37:39,250 --> 00:37:40,590
- On camera?
- …a gineadita.
884
00:37:40,750 --> 00:37:42,760
Or not, Guille? How did I tell it?
885
00:37:42,880 --> 00:37:47,590
Spectacular. As is, as is.
Couldn't be better.
886
00:37:47,680 --> 00:37:48,760
[clinking]
887
00:37:48,850 --> 00:37:49,850
Music, teacher.
888
00:37:50,930 --> 00:37:51,930
[♪ continues song]
889
00:39:15,970 --> 00:39:16,980
[♪ end of song]